Keep an eye on www.digitalrecordingarts.com for a review of the 1401 Stereo Microphone Amp and the Ghost Box. They have both units are in the process of reviewing. Expect some real world details published on their website in the coming weeks.
I've seen some European review interest in the combo, which has caused me to plan a revision to the Ghost Box. After I finish up the current build queue I'll be building a new version of the Ghost Box that offers the option of 120v or 240v operation so that our friends in Europe can experience ghost power. The only thing I don't like about this is that I'll have to raise the price of the Ghost Box by about $75 to cover the cost of the power transformer and the additional labor to implement it. Few know my long term goals, but the main one is to build a large format 32 channel vacuum tube Mixing console, code named "The Big One." Its literally going to cost a fortune in parts and it will take many years to complete... unless of course an Angel investor drops into my lap.
The goal is lofty, so I thought the best way to get there is with baby steps. Its such a massive undertaking that I'll only get one shot at this (Recording equipment parallel to Nasa's landing on the Moon). So, to make prototyping possible I plan to start small. Yesterday I built a small active tube powered splitter, which takes one signal and splits it into two outputs with independent volume controls. I couldn't do this passively without the volume knobs interacting with each other, so a single 12AU7 tube is on both channels for isolation purposes. The 12AU7 also adds some overall volume to each channel. The sound is not 100% transparent, but its very close and the subtle coloration is very pleasing. How could this be used in "The Big One?" Using this circuit (or a modification of it) I could implement several FX sends on each channel of the board. Being able to route a channel to various external effects with controls of the send volumes is absolutely critical for a Mixing board. I would be happy with 2 sends, which is exactly what this prototype box is capable of. I really hope to create a small 4 channel tube mixer later this year. What I'd like to build is something relatively simple and rack mount friendly. I'm thinking per channel it would have volume, pan, phase invert, and low cut switches + VU meters for the stereo output. It wouldn't be cheap, but it could be priced in the realm of obtainable for project studios. It could be used to combine the outputs of 2 summing boxes or it could be used for sub-mixing, which is how I intend to use it. This is the first post about The Big One, but I'll be writing more in the future as things develop. |
Details
About the AuthorMike Congilosi II, Owner/Designer/Electronics Engineer at Lightning Boy Audio and Owner/Audio Engineer/Music Producer at LBA Studios. Archives
November 2024
Categories |